Title: The Art of Reading: An Illustrated History of Books in Paint
Hardcover: 978-1606065860, $34.95
Imprint: Los Angeles: Getty Publications. 2018
“Why do artists love books?” This volume takes this tantalizingly simple question as a starting point to reveal centuries of symbiosis between the visual and literary arts. First looking at the development of printed books and the simultaneous emergence of the modern figure of the artist, The Art of Reading appraises works by the many great masters who took inspiration from the printed word. Bringing together more than one hundred paintings that include books as part of their subject matter, this lively and companionable survey examines how the book became the single most ubiquitous feature of our cultural lives and, in large measure, of everyday existence.
Authors Jamie Camplin and Maria Ranauro weave together an engaging cultural history that probes the ways in which books and paintings represent a key to understanding ourselves and the past. Paintings contain a world of information about religion, class, gender, and power, but they also reveal details of everyday life often lost in history texts—and all the more so when books are depicted. Such artworks show us not only how books have been used and valued over time but also how the significance and practice of reading have evolved in Western society.
Featuring work by artists from across Europe and the United States and all painting genres, The Art of Reading explores the two-thousand-year story of the great painters and the preeminent information-providing, knowledge-endowing, solace-giving, belief-supporting, leisure-enriching, pleasure-delivering medium of all time: the book.
“Featuring more than 150 striking, full-color reproductions of Western paintings . . . a studious cultural history . . . Written with scholarly insight, yet thoroughly accessible to readers of all backgrounds…highly recommended.”
(Midwest Book Review)
“Bridging the gap between book and art lover perfectly, this work presents relevant information with stunning paintings to satisfy experts of both fields.”
Tom is originally from Brooklyn N.Y but has spent his entire professional career in South Carolina, most recently as Head of Reference Services at the College of Charleston. As part of the Against the Grain and Charleston Conference team, he serves as the associate editor of the print ATG as well as the co-editor of the webpage. Tom’s conference duties include coordinating the Penthouse Suite interviews as well as the conference poster sessions.
He received his MLS from the University of Buffalo, SUNY and a second master’s in public administration from the College of Charleston and the Univ. of South Carolina. His wife Carol and he live in downtown Charleston and she is an artist and a tour guide offering historic walking tours of the city.